![]() ![]() ![]() Our latest sound system upgrades allow us to bring our productions to a whole new level and make our audiences feel even closer to the show.” “It’s important to create a one-of-a-kind experience for our audiences no matter where they are seated in this 6,000-seat venue – the largest indoor theater in the world. “As the leading company in live entertainment, we are focused on delivering a theatrical experience at Radio City that is fresh, contemporary and unparalleled,” says Larry Sedwick, senior vice president of production for the Madison Square Garden Company, which operates the iconic venue. However, I have to put some clothes on my nude figure of Song! I believe that was a Rockefeller touch.Featured Products 900‑LFC, D‑Mitri, LEOPARD, LYONĪ new permanent Meyer Sound LEO Family reinforcement system has been installed at New York City’s Radio City Music Hall to support performances by the world-famous Radio City Rockettes, including this summer’s New York Spectacular and the Christmas Spectacular slated for this upcoming holiday season. I’m afraid it is rather too late to do more than regret their mistakes, as the designs have now been officially approved. I will have my sketches photostatted and send them out for you to see. The more I studied the material with Oscar Bach the more simple and classical I became, and I am afraid you will think that they are too derivative from the Greek vase sort of thing. She sent sketches to her mentor from Nebraska, Hartley Burr Alexander, who had been hired to provide a unified iconography for Rockefeller Center, but had been dismissed from the project: I know you felt they ought to be very modern, and I could have wept that you weren’t here to tell me what you meant and help me do it. Meière’s designs for Dance, Drama and Song evolved gradually, as evidenced by her numerous sketches and studies. If two or three sketches were merely tracings of the first, the quality of the final design would be less vital. Each of these sketches must be a piece of creative work, never mind how many times the artist has drawn and redrawn it. Each sketch must be drawn many times before it is ready to be enlarged, Miss Meière said. Strewn around on a table were numerous small pencil sketches of the designs on ![]() Even that small section of the design, hardly more than four or five feet square, gave an impressive idea of the brilliantly decorative qualities that will distinguish the completed work. Lynn Fausett, Miss Meière’s assistant, was painting in detail in silvery tones the medallions with a figure representing the dance. While Meière was working on her design for Dance, a reporter visited her in her studio and described what she saw: Over at the easel Mr. Bach in workshop in front of Drama, with torso of Pan, from Song, on right During the firing that followed, the particles of glass powder fused to form a thin, colored glaze of glass enamel that adhered to the metal surface. Bach, who “beat them into shape in the manner of a silversmith.” 2 He then added vitreous enamel colors to the figures by grinding fragments of colored glass into powder, mixing the powder with water, and applying the mixture evenly to the metal surface. Too big to be cast, the sculptures were fabricated by the master metalsmith Oscar B. Each roundel is eighteen feet in diameter. A recently developed process that kept dissimilar metals from affecting each other when used together out of doors made it possible for Meière to select metals for their color potential and combine them on a scale never before attempted. Often cited as iconic examples of Art Deco design, the roundels were fabricated in mixed metal and enamel. Hildreth Meière’s roundels of Dance, Drama, and Song on the 50th Street facade of Radio City Music Hall are her most visible work. 50th street facade of Radio City Music Hall with iconic Dance, Drama and Song in mixed metal and enamel ![]()
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